Great Expectations by Charles Dickens, adapted by Jo Clifford
31 January - 15 March 2008
opening at Byre Theatre, St Andrews and on tour across Scotland
Running time: approx 2 hrs including a 15 min interval
SEE TOUR SCHEDULE FOR DATES AND VENUES
Prime Productions is
one of Scotland's leading touring theatre companies. Our production of Sunset
Song had to be revived by popular demand and was nominated for
the TMA/OPUS Award for the Best Touring Production in the UK. Subsequent
productions of Mary Queen of Scots Got Her Head Chopped Off and Further Than The Furthest Thing attracted similar acclaim - Carol Ann Crawford
was nominated for the Best Actress Award in the Critics Awards for Theatre in
Scotland in Further Than The Furthest Thing. Prime Productions works hard to maintain and develop
its close relationships with promoters and audiences throughout Scotland,
particularly in rural areas where we have a long history of touring.
The company was founded in 1985 by Rose McBain, Thelma Rogers and Martin Heller
to mount a production of three one-act plays by Ena Lamont Stewart, the author
of Men Should Weep who has been
described as the Scottish Chekhov. At that time two of the plays had
been given only a rehearsed reading by the Scottish Society of
Playwrights, and the third had not been performed at all. The three actors
decided to put this right and under the generic title of Will You
Still Need Me?, and with Scottish Arts
Council support, the production opened at the Traverse, toured round Scotland
to small and medium scale venues, and ended its run at the the Tron Theatre in
Glasgow. The plays, and Sandy Neilson's direction were highly praised by
audiences and critics alike. Prime Productions, apart from a few gap
years, has continued touring ever since.
The Way In.
The roots of Prime Productions lie buried in the post-war days of touring
theatre. Martin Heller, aged twenty and straight from the Central
School of Speech and Drama in London, joined a small company which could have
been described at the time as part of a commune. An estate and an old
house on the edge of the Forest of Dean in Gloucestershire provided
accommodation, office and rehearsal space for an acting company of seven, as
well as a home for the family of the Artistic Director, John Crockett, who was
a fine artist and dancer, as well as actor and director - a man of many
talents.
This company, the original Compass Players, was dedicated to producing a
repertoire of classics such as Marlowe's Dr. Faustus and plays by Shaw, Synge, Chekhov, Moliere, Fry,
Milton's masque Comus, and
exciting versions of The Pardoner's Tale from The Canterbury Tales, and Jonah and the Whale - both adapted by John Crockett.
This rich introduction to theatre, and the experience of playing in village
halls, miner's Institutes and schools across England, Wales and over the Border
into Scotland, fired the imagination of all the young actors involved.
Everything had to be carried in a recycled laundry van nicknamed Bertha.
There were seats for nine, and behind them went sets and props, costumes,
lighting and sound equipment for three or four productions for each tour. The
entire company acted, stage-managed, lit the show, maintained the costumes and
props and put up and struck the set. A school matinee and an evening show
daily was normal. Hospitality was offered in many places, and gratefully
accepted since everyone in the company existed on 15/- per week plus their
keep. Company members might find themselves guests in a miner's cottage one
night and in a mansion the next, and friendships cemented then still exist
today. No Compass Player ever forgot the training they gained -professional and
social, or the impact their visits had on the many small communities that
welcomed them.
Nowadays going out on a small-scale tour is not, perhaps, quite such hard work
as it was in the days just after the Second World War, and it is certainly
better paid. The first four members of Compass Players used to share two meals
in a British Restaurant - a kind of wartime cheap cafe. Money was that
tight! But the spirit is still there, and the need and the demand is
still there and it is the aim of Prime Productions to continue the tradition
and satisfy the demand.
Prime Productions, in the 90s maintained the link, and the friendships as two
plays, Herr Bach & Mr. Handel
and From Where I'm Standing were
written by John Ringham who was one of the original Compass Players.
Prime Productions aims to give sell-out audiences, throughout Scotland and
beyond, plays they want to see and a full theatrical experience.
The Company was founded to tour professional theatre of the
highest possible quality throughout Scotland and elsewhere with particular
emphasis on places which do not have easy access to major theatres. Since 1985
we have successfully presented a wide variety of work in village halls
and theatres from the Borders to Shetland. We aim to develop strong
relationships with local promoters, ensuring that our productions are well
attended, and we push to the limit the constraints of touring theatre, creating
a full theatrical experience in the most rural of venues, with the emphasis on
a strong visual style, and excellent casts.
Of past productions, critics have said;
of "Will You Still Need Me"
..impeccably detailed microcosms of life seen beneath a microscope...
|
Scottish Theatre News |
of "Uncorking Old Sherry"
..here is a Sheridan that ought to be uncorked more often, and an exceedingly
decent vintage it is
|
Glasgow Herald |
of "Herr Bach and Mr. Handel"
...among the most delightful and original pieces on the Edinburgh
Festival Fringe
|
The Stage |
of "The Merchant of Venice"
The achievement is peerless... Finlay McLean is a superbly Scottish
Shylock....
Shakespeare is now the author of at least two Scottish plays
|
The Scotsman |
of "Search Through the Ashes"
Prime Productions presentation is so unique and compelling
that it adds a new dimension to the terrible story
|
The Stage |
of "Hamlet"
...dynamic, direct story telling..
|
The Scotsman |
of the 2001 production of "Sunset Song"
...the show establishes a powerful emotional link with the audience
|
The Scotsman |
.. there was only a stunned silence and the trickle of a tear
|
Daily Express |
If you live in one of Scotland¹s larger metrops, you may have to travel to
see it...
If there is a single persuasive reason to do so. her name is Cora Bissett.
|
The Glasgow Herald |

